One is the Peavey PVi 6500 for $399 from. That's because the mic diaphragm is perpendicular to the stage floor, so it doesn't move in and out when the floor vibrates up and down.Ĭan you recommend a powered mixer for use with your floor mics? In fact, if you lift the mic off the floor while it is picking up footsteps, you should hear no difference in the loudness of the footsteps.The Stage Floor Mic is not sensitive to floor vibrations. You might apply some sound damping material such as Fatmat eXtreme at Also, switch in a 100 Hz highpass filter (lowcut filter) on each mic channel - 200 Hz for children.Ĭan I reduce stage-floor thumps by putting the mic on a foam block or other padding? It helps to brace the stage from underneath so that it doesn't creak. Or carpet the stage floor and put the mic on an 18"- square, 1/8" thick masonite panel. If you can hear footsteps when actors walk, any mic will "hear" them too. Some suppliers are, , and .ĭo floor mics pick up a lot of footstep noise? The mic cables should have a female XLR connector on one end and a male XLR on the other end.Īnother option is a microphone snake. Purchase some microphone cables and plug them into the mic connectors. How do I get the mic signals to my mixer? The supplied mic cables don't reach to my mixer. The long dimension of the mic should be parallel with the stage edge. As you face the stage from the audience, the cable should exit to the left out of the mic. The FRONT of the mic is indicated by an arrow on the bottom of the mic. How many mics do I need? Where should I place them?Ģ4-30 ft stage: 3 mics 12 to 15 feet apart. Plug the mic into the phantom supply, and connect the supply output to your mixer mic input. If your mixer does not have phantom power, you need to get a phantom power supply such as the ART Phantom I, Behringer PS400, or Rolls PB23. The mic simply plugs into the mixer mic input to receive power. We recommend using stand-mounted column speakers such as the Soundtown CARPO-V5SD to focus sound on the audience, or floor-mounted column speakers aiming at the bleachers, such as the Bogen SCW35. (3) Very live, reverberant rooms such as gymnasiums with lots of hard surfaces.
TEFVIEW X OVER SPEAKER WILL NOT GO AWAY PORTABLE
We recommend that you buy, borrow, or rent two portable PA speakers on stands, and place them close to the audience to prevent feedback. They tend to cause feedback unless they are line arrays or column speakers. (2) Theaters with permanent loudspeakers that are close to or over the stage. Floor mics are not recommended for those venues. (1) Small venues such as nursing homes, night clubs, and music stores. Some venues where feedback is likely to happen are: Our stage floor mics work great in theaters and auditoriums if the loudspeakers are placed close to the audience, Then feedback is not a problem.
It is also called an "area mic" because it picks up over a broad area.It's also called a "boundary microphone" because it rests on a boundary or surface: the stage floor.ĭoes the venue have an influence on feedback? It is a microphone placed on the floor of a theater stage, usually near the front edge, to pick up actors.
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